“This blending is exquisitely enhanced by Rob Sowinski’s set, where a living room couch and dressmaker’s mannequin sit in surprising concordance beside hollow plastic female torsos with glowing incandescent hearts and red-lit hanging lights and lamps. The lighting seems nearly alive, growing and pulsing and fading as the emotional landscape changes; soft and inviting for home, rich and dark and parodying sexiness for the brothel, and everything in between for memory and reflection.”

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“The play is a lovely weaving of naturalism – in set, lighting and acting – with the non-naturalistic world outside, where the stage is hardly lit, save for the splashes of red light.  The lighting was overall very good—evocative, mood changing, and, importantly, not jarring. The design was effective and included small red bulbs suspended and mannequins lit from the inside.”

Angus Cameron, Theatre People