Rob Sowinski’s lighting, underwriting the action, was respectful, telling, and vivid.
Michael Shmith, Australian Book Review
11 February 2022
This multi-strand but interlocking, coherent storytelling could not succeed without Sarah Tulloch’s economic but suggestive set design, Rob Sowinski’s bright-to-eerie lighting, Jodi Hope’s appropriately fairy tale costumes, and Marcello Lo Ricco and Steve Cooke’s enveloping sound design – especially menacing in Act II.
Michael Brindley, Stage Whispers
01 February 2022
Assisting the set was Sowinski’s magical lighting design that also gave the space a three-dimensional feel by subtly shifting with the action. The green and yellow light spilling in from the sides truly captured the essence of a forest floor with sunlight creeping in and immersed the audience in the story.
Stephanie Lee, theatretravels.org
23 January 2022