“Lighting played an integral role, whether it was a coloured wash or a solo pin spot across her face.”
Christopher Fieldus, Hana Theatre Journal
“Rob Sowinski’s lighting design is beautifully elegant. In the absence of a set, it evokes everything from the smallest nightclub, to Holiday’s Catholic reformatory school to the splendor of Carnegie Hall with a lyrical touch.”
Robert Chuter, ArtsHub
“Rob Sowinski’s impeccably choreographed lighting visually transported us from Billie’s childhood house where we began all the way to the brothel, the dark and smoky bars where she got her start and then finally to her infamous Carnegie Hall performance.”
Alexis Desaulniers-Lea, aphramag.com
“A grand piano, a stool. a mic stand, great sound, outstanding lighting effects, an illuminating script and enormous talent from the artists have synchronised to produce a show that is unique, transcendent and most definitely not to be missed lovers of music.”
Kerrie Patcholli, Toorak Times